We’re Stuff & Nonsense, a UK website design agency with a worldwide reputation for designing websites that look beautiful and work wonderfully on every type of device. We’re one of 2014’s top five ‘Agencies Of The Year’ at the Net Magazine awards.
I have more than a soft spot for Australia. It’s where I’d live if that were possible and where I can see myself retiring to in, you know, twenty or so years. Luckily, I’m going back to Australia long before that, this March in fact, to speak at the fabulous Respond conference and to take my CSS For Responsive Web Design workshop on the road to Brisbane, Melbourne and Perth, as well as Sydney itself.
If you’re a fan of my Unfinished Business podcast, you’ve only a few more weeks to wait until the next episode. It will be back (with episode 101) on the ninth of February and when it does, things will be a little different.
I care a lot about the things that I use everyday. I need them to be the nicest that I can buy, or at least afford. This means that I care a lot about my computer, phone and the sleeves I keep them safe in. I also care about the pen I write with and most recently about the mug I drink from every day.
I know that my taste in country music’s mainstream. Mainstream enough that some country aficionados might criticise my ‘this Englishman’s’ lists for not straying far enough from the top of the country charts. The truth is, I like catchy country pop, and while next year I will try harder to discover music that’s further from the stereotypical southern dirt road, this year I’m happy to listen to songs about beer, cut-off jeans and cowboy boots, fishing in lakes and trucks and tractors.
This week is the one-hundredth episode of Unfinished Business and who better to join me than the person who helped me start it all, almost two years ago, Anna Debenham. We celebrate by talking about what went right and wrong in 2014 and our resolutions for 2015. Then we talk about meetings and how we can improve them.
This being the final episode of the year, I’d like to say an enormous thank-you to everyone I’ve spoken to on Unfinished Business, this year: Ashley Baxter, Benjamin Hollway, Brendan Dawes, Christopher Murphy, Cole Henley, Clare Symons, Harry Roberts, Jeremy Keith, John Davey, Jon Hicks, Jory Raphael, Laura Kalbag, Liz Elcoate, Paul Boag, Rachel Andrew, Relly Annett-Baker, Sara Souidan, Sean Johnson and Trent Walton.
I’d also like to say thank-you to all the companies who’ve helped make Unfinished Business possible through their sponsorship. Antetype, BigBoard, dConstruct, DeviceLab, DotYork, Espresso, GatherContent, Ghostlab, Forge, Hover, Logical Elements, Native Summit, ShropGeek, Simply FixIt and Shopify. I want to say a special thanks to Perch and Perch Runway for supporting the show from our very first episode. Please continue to support Unfinished Business by supporting them.
Unfinished Business will be back in February 2015 and I hope you’ll all join me then. Until then, thanks for listening and I’d like to wish everyone a happy Christmas holiday and a prosperous new year.
On the penultimate episode of Unfinished Business of 2014, I’m joined by my design hero Trent Walton to talk about if an integrated responsive design and development workflow makes working out what and how to charge more difficult. We discuss Paravel, the three person studio that he helps run, how their business works, how they charge and if they negotiate on price. Of course, this being Unfinished Business, I couldn’t help talking about burgers and this week’s stupid cheeseburger stuffed crust pizza.
Conference impresario John Davey joins me again on Unfinished Business this week. We talk about anticipation and scarceness, how some cinemas create an experience around watching a film, how looking at album artwork in a record shop enhanced the experience of buying music and whether the experiences we’ve lost were valuable enough to revive in new and different ways.