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The Shared Homeland Paradigm

The story of how I helped The Shared Homeland Paradigm create a website which offers solutions to the complex political issues in Palestine-Israel.

The Shared Homeland Paradigm
Project URL: The Shared Homeland Paradigm
Year: 2025
Client
The Shared Homeland Paradigm
Sector
Politics
Duration
1 month
What I did
Art direction
Branding
Creative design
Website design
Website development

The Shared Homeland Paradigm is a collaboration between A Land for All, University College London, and the University of the Pacific. The project aims to develop a new conceptual basis for configuring space and rights in Palestine-Israel.

I always start with type because it sets the tone for everything else, and for this project I needed a readable typeface that would not feel overly academic. I tested typefaces in real contexts, using copy that was as close as possible to the final content, before settling on Bankside Sans for its balance of clarity and seriousness.

Shortlisting sans-serif typefaces and what they say.

Then, I test typefaces in real contexts—headlines, lists, and paragraphs—so I can see how they behave in the design, not just in isolation. I create what I call type sheets and always use copy as close as possible to what I’ll be setting in the design. If copy’s not available—which it often isn’t at the start of a project—I write my own, rather than use dummy lorem ipsum.

Shortlisting typefaces and discussing what they say.

Finally, I settled on Bankside Sans—designed by Dalton Maag. Bankside Sans has “clear, classic letter shapes (that) convey intent, while its extreme widths deliver impact.” It perfectly balances approachability and seriousness.


Working through creative concepts

One of the parts of a project I enjoy the most is thinking of creative ways to tell stories through my choice of graphics, illustrations, and photography. Many ideas never make it past a first iteration—and that’s never a failure. Design decisions are often subjective, so every attempt becomes a conversation. My first creative concept included illustrations of birds which are native to Israel-Palestine, including the Eurasian Hoopoe and the Palestine Sunbird. Birds cross national boundaries, and using them seemed like a concept worth developing.

First concept: Birds from the Middle East.

Then, I incorporated topographical maps of the region and other ancient maps which were drawn before the state of Israel was formed.

Second concept: Topographical and ancient maps.

Designing the colour palette

Colour is highly evocative and needs careful consideration, especially when dealing with sensitive subjects like Israel-Palestine. First, I devised a set of colours which have cultural associations for people in the region. Then, I created a second palette of blues, greens, and greys, which represent the earth, sea, and sky.

Colours with blues, greens, and greys.

Pulling everything together

The Shared Homeland Paradigm team needed a website on which they could add background papers, resources, scenarios for peace in the region, and terms for their Alternative Lexicon. To make that happen, I developed their website using the open source Eleventy CMS.

Selected pages from my design for The Shared Homeland Paradigm.

When I design content-rich websites, I use layout, typography, and graphics to tell the story—not just the words on the page. This project brought together everything I care about in story-led web design—graphic design, layout, and typography, working together. My typeface choice echoes their voice, and the SVG graphics help to tell their story.


Andy exceeded every expectation. He didn’t just build us a website; he expertly guided our branding and design to ensure our project was presented in the best possible light. Professionally, he is top-tier; incredibly patient and always available to provide helpful guidance, Andy is one of the kindest people you’ll ever work with. I recommend him with all my heart.

Adi Berkovits, University College London

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