Blogging and all that malarkey

Charities, NGOs, and non-profits are some of my favourite clients. I’ve been fortunate to work with Greenpeace and WWF, to name two. Balancing creative direction and user-experience design is one of my favourite things to work on. In this video, I talk about the charity Crisis and its website and how they might make the facts about homelessness more real through their design.

In my latest Design Chatter video, I talked about how the homelessness charity Crisis aims to be bold and impactful and asked if their website design lives up to those goals? Here’s a written version of that, plus the full versions of my redesigns.

I’ve always thought of myself as coming from Irish roots. I never questioned it. My family are Doyles. Doyles were Irish. So, my roots were in Ireland. Except they’re not.

The RSPCA unveiled its first rebrand in 50 years this year, marking its 200th anniversary. In this video, I discuss their website, focusing on how it could benefit from its recent rebrand and tell better stories through its creative direction online.

In my latest Design Chatter video, I talked about how the RSPCA rebranded and asked if its website makes the best use of its new look. Here’s a written version of that, plus the full versions of my redesigns.

Back after their summer break, the four chaps decide whether each other’s improbable stories are a lie or the truth. Jon talks about his new car, Andy brings up his gout, and neither are at all cross about Paul and Marcus restarting the Boagworld podcast. This episode of One Footer in the Grave is appropriately sponsored by Allopurinol, the gout medication for when your big toe hurts like a b@stard.

Envato asked “What’s the state of web design in 2024? What comes next?” They sat down with four designers (and me) to learn what”s inspiring us, what drives us crazy, and how web designers can prepare for a future influenced by AI and rapidly evolving tools.

In this new video, I discuss the influential Swiss graphic designer Karl Gerstner’s work. I love Gerstner’s mastery of grid and how he used them to create consistent yet creative layouts.

For most of my career, I’ve encouraged designers and developers to learn from past masters of design and make inspiring web work. Now, I’m launching Stuff & Nonsense Premium Squarespace templates that help them do just that.

In this new video, I want to discuss Willy Fleckhaus’ work. His name isn’t often mentioned in the context of product and website design. I love Willy Fleckhaus’ mastery of layouts, his use of scale, and the ways he integrated images and text into compelling compositions.

Since, I suppose, the late nineties, every time a General Election comes around, the political parties roll out new websites. Having spent time studying Labour’s 2024 campaign website, I wondered what their previous election websites looked like. There’s barely anything left of Labour’s website from its victory in 1997 so I imagined what it might’ve looked like.

In this new video, I discuss editorial designer Otto Storch whose work I discovered while flicking through a new addition to my design library. I love how Storch playfully combines images and typography to create designs which are full of energy and movement.

In this new video, I look at Labour’s election manifesto and its campaign slogan that shouted “Change.” If Sir Keir Starmer or Angela Rayner had asked me to design their post-manifesto website, I’d have done things differently. So I explain what I’d do.

In this new video, I look at what was up with Labour’s 2024 election website design, the absence of typographic or visual hierarchy, inconsistent use of colour, lack of focus, and a clear identity. How would I fix this?

I’ve made videos before, including a few series for New Riders—back in the day—and an Art Direction for the Web companion series for Skillshare. For ages, I wanted to make more videos and publish them on YouTube. Now, I’ve made a start.

I don’t check my analytics terribly often, but I did this week, and there was something strange in there: referrals from a domain I didn’t recognise that was using my website’s favicon. Curious, I went to the URL and saw something familiar—my design.

Today, I’m launching Quick Takes and Fresh Perspective design reviews. Quick Takes are 30-minute video reviews for website owners, while Fresh Perspective is a one-hour private video consultation for designers and developers.

When I wrote recently about the design work I’d like to do in the year ahead, I neglected to mention one important area that I’d like to concentrate on. That’s mentoring designers and helping them improve their skills and develop their careers in design.

While debating the greatest guitar solos ever with Alex and Sue last week, I suggested that the absolute best is Prince’s one-off live performance of While My Guitar Gently Weeps. Prince played alongside George Harrison’s son Dhani, ELO’s Jeff Lynne, Tom Petty, Steve Winwood, and more. This set me down a rabbit hole to find the best-ever version of While My Guitar Gently Weeps.

The General Election might be over, but Count Binface hasn’t abandoned us earthlings. Instead, he’s embarking on a comedy tour and this week invaded Sky News’ Politics Hub with Sophy Ridge.

Whether you’re a designer, developer, or another type of web professional, successful client projects all begin with a killer proposal. While web design project proposals have no set format, effective proposals all outline the brief, deliverables and scope, timelines, and costs.

Since I launched Contract Killer, I’ve lost track of the number of times people have asked me to make a proposal template for web designers and developers. I’m not sure why it took me so damn long, but today I’m launching “Killer Proposals.”

When I first shared my Contract Killer in 2008, I had no idea so many people would use it. It became the most visited page on my website. After being free for thirteen years, in 2021 Contract Killer became a paid-for template. Now, there’s an update, the biggest since 2008.

This time last year, I wrapped up my Director of Product Design contract at Nozomi Networks. That was a big change but also an opportunity to evaluate what I’d enjoyed about the role and what I missed from more varied design projects.