This week, I launched Design Chatter. It’s a weekly one-hour Zoom call where like-minded designers can give each other constructive, friendly feedback.

One of my favourite CSS writers Ahmad Shadeed has written about CSS Masking and I thought I could put his techniques to good use on Emma’s website.

Emma Bodger is a film/television producer, and recently, I’ve spent time working on her visual identity and a new website. It’s been a lot of fun, and I also learned more about SVG while working on it. I’m digging into the details this week, and today I’ll reveal the Easter Egg theme which I hid on Emma’s website.

Emma Bodger is a film/television producer, and recently, I’ve spent time working on her visual identity and a new website. It’s been a lot of fun, and I also learned more about SVG while working on it. I’m digging into the details this week, and today I’ll explain how I made experimental banner images for Emma’s home page using SVG masks.

Emma Bodger is a film/television producer, and recently, I’ve spent time working on her visual identity and a new website. It’s been a lot of fun, and I also learned more about SVG while working on it. I’m digging into the details this week, and today I’ll explain how I made an experimental word search concept for Emma’s home page.

Emma Bodger is a film/television producer, and recently, I’ve spent time working on her visual identity and a new website. It’s been a lot of fun, and I also learned a few things while working on it. I’m digging into the details this week, and today I’ll explain the pseudo-3D design I created for Emma’s home page banner.

Emma Bodger is a film/television producer, and recently, I’ve spent time working on her visual identity and a new website. It’s been a lot of fun, and I also learned more about SVG while working on it. I’m digging into the details this week, and today I’ll explain the SVG filters I created to transform images on Emma’s website.

In a video of one his talks, Andy Bell mentioned CUBE CSS and his approach to using data attributes for variations (exceptions) to design styles. I’m currently working on a grid system for a product project and revamping my Layout Love templates, so was keen to implement this approach.

After writing yesterday’s blog entry on Re-coding Apple’s Black Friday dates I realised I had missed the bleedin’ obvious solution. That instead of wrangling CSS and HTML, SVG could’ve been the better option.

Most parts of Apple’s website are fabulously flexible. But today, I was browsing for Black Friday deals and found a fixed-width design element which I was determined to make flexible.

Here’s a quick design tip for making headlines more interesting using text-decoration.

Here’s a quick design tip for improving the readability and style of long passages of running text.

Safari Technology Preview is my every day browser. When the latest version dropped, a feature in the release notes interested me. It was experimental support for three new relative colour CSS values. So, I tried what’s possible now.

There’s been a meta tag for specifying a theme-color for UI elements on websites for a while. If you’ve used it, now’s time to change that element along with the upcoming version of Safari.

I’m not a framework user. I’ve never once used Bootstrap and I didn’t use 960gs or Blueprint before that. I can understand the benefits of using a framework or off-the-shelf templates, but they weren’t ever for me. Still, I wanted a simple set of layout modules I could call on for design projects, so I developed my own. I call them Layout Love.

Let’s face it, unless you develop a complex product—and even if you do—you probably don’t need half the humungous hunk of CSS you bung at a browser. In fact, it’s possible you only need one default and one alternative style for every element.

Sam Sycamore tweeted a utility class for breaking an element out of its container to fill the full width of a page. It prompted me to think about how and when to use utility classes.

I’ve said over and over again that a well-chosen grid can do much, much more than align content. The choice of grid can influence how we approach a design, it can change how we think.

Given that SVG makes it possible to create cool compositions of images and text, I’m surprised I rarely see designers and developers using it for more than just icons.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. This is week 40 and my design this week was again inspired by David King.

David King was a British writer, designer and historian of graphic design. He devoted his career to uncovering and chronicling the art of the Soviet and the Constructivist periods, developing posters and graphics for many political groups.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. This is week 39 and my design this week was inspired by Milton Glaser.

Milton Glaser was born in 1929 in The Bronx, New York City and throughout his career, he personally designed and illustrated more than 400 posters including a famous psychedelic poster of Bob Dylan.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. This is week 38 and my design this week was again inspired by Saul Bass.

In a career which spanned over 40 years, Saul Bass not only designed some of America’s most iconic logos, but also designed title sequences and film posters for some of Hollywood’s best filmmakers, including Alfred Hitchcock, Stanley Kubrick, and Martin Scorsese. For Hitchcock, Bass created innovative title sequences for films including North by Northwest, Psycho, and Vertigo. The opening sequence of Mad Men—one of my favourite TV shows—pays homage to Bass who died in 1996 aged 75.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. This is week 37 and my design this week was again inspired by Paula Scher.

Paula Scher is an American graphic designer, painter and educator and the first female principal at design firm Pentagram. She is well-known for her distinctive typographic style.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. This is week 36 and my design this week was inspired by David King.

David King was a British writer, designer and historian of graphic design. He devoted his career to uncovering and chronicling the art of the Soviet and the Constructivist periods, developing posters and graphics for many political groups.