Toon Titles
Explore my growing collection of classic cartoon title cards, lovingly recreated using CSS, SVG, and SMIL animations. Enjoy the nostalgia and learn from the code on CodePen.
Explore my growing collection of classic cartoon title cards, lovingly recreated using CSS, SVG, and SMIL animations. Enjoy the nostalgia and learn from the code on CodePen.
Kingdom of the Planet of the Apes is out and I decided to update one of my responsive easter egg headers—Kerfuffle on the Planet of the Apes—with more efficient, modern code.
Originally published in 2005 and updated in 2024, CSS Specisithity explains how to master specificity using Star Wars metaphors. It’s been credited with helping web designers and developers understand what’s often considered a complex subject.
Clarify what’s expected on both sides to help build great relationships between you and your clients. Contract Killer is plain and simple and there’s no legal jargon. It’s customisable to suit your business and has been used on countless web projects since 2008.
I wanted a simple set of layout modules I could call on for design projects, so I developed my own. I call them Layout Love and rather than keep them to myself, I’m offering them to everyone to use which I hope will encourage people to make layouts which are more interesting.
I wrote my first book, Transcending CSS: The Fine Art of Web design, way back in 2006. It became a success and since then I’ve had countless people tell me it was influential in their careers. Transcending CSS Revisited is available to read online for free, with a new foreword by Rachel Andrew.
Dan Davies is back on Unfinished Business this week to talk about what he’s learned in the five months since he switched from front-end development to user-experience design. We discuss how his agency is improving communication between designers and developers, his interview series about workflow and more and how he was once replaced by a fibreglass rhino.
Last week, Cennydd Bowles wrote his Letter to a Junior Designer. It was widely shared and commented on, but while I enjoyed Cennydd sharing his experience—he is, after-all, an experienced product designer—I felt that his message and tone were profoundly negative.
Everyone involved in making Unfinished Business wants to say an enormous thank-you to all of you out there in podcast land who voted for us for Podcast Of The Year at The Net Awards. You helped us make the shortlist of the final five that’s full of brilliant podcasts and put a very broad smile on all our faces.
On this week’s Unfinished Business I’m joined by not one, but two guests to keep me out of trouble, Laura Kalbag and marathon runner Rachel Andrew. We talk about the fallout from last week’s news that publisher Five Simple Steps has closed, what this means for other niche publishers and for the authors who write for them.
We talk about how the abrupt announcement of the closure could’ve been handled better and the lessons we might learn to help us in the future. Finally, we break down how advances and royalties work differently between small and large publishers and the reasons why authors might choose a publisher over self-publishing their books.
This week on Unfinished Business I’m joined again by Elliott Kember to talk about Speedos, fitness tackers and—one day before Nike announced they’ve stopped making hardware—my Nike Fuelband. We discuss Cennydd Bowles’ Letter to a Junior Designer and if there are differences between designing a website and designing a digital product. I ask if designing with data is just an excuse for not having enough confidence in an idea and suggest that banging on about ‘empathy’ deserves a punch in the face.
The sudden closure of Five Simple Steps came as a shock to a lot of people, not least authors like me who are forced to decide on new homes for their books with no notice.
I’d been in Nottingham for the day, catching up with friends including Owen Gregory. Driving home, an idea started to develop. Owen and I worked together on client projects at the time and I trust him to give me an honest opinion, so I pulled the car over, called him and explained the idea. A book called ‘Hardboiled Web Design.’
Stuff and Nonsense has been shortlisted for Agency Of The Year at the Net Awards 2014 and so Creative Bloq wanted to know a little more about us, what we do and what sets us apart from other agencies. Here’s what I told them.
Although there seems to be plenty of choice, I haven’t found any CRM software that tickles my fancy yet. I need to get better at keeping on top of prospective business though, so the first step was to make a spreadsheet. If it’s useful to anyone, I’m happy to share it. There are Apple Numbers and Microsoft Excel versions in a ZIP file. I’m keen to hear your suggestions for improving it, as well as your recommendations for CRM software/services.
Special guest Jeffrey Zeldman joins me on Unfinished Business this week to talk about how important is it today for designers to be able to tell stories and sell ideas to clients. We talk about whether designers need empathy or strength of character and conviction in their ideas, whether the web needs ‘account’ menpeople and what it feels like when people you’ve mentored go their own way.
It’s a packed show and as we both love advertising and Mad Men, we end by talking about my Don Draper depersonalisation disorder theory and what we expect and hope from the final season which starts next week. Even if you’ve not seen Mad Men, I think you’re going to like this episode.
I always vowed that I wouldn’t update Transcending CSS, but there’s always been something about that old book that disappointed me and now I have the chance to fix it.
What can I say? Thank-you. So very much. From all of us.
You voted and Stuff and Nonsense has been shortlisted, in the top five, for Agency Of The Year at the Net Magazine awards 2014. I can’t tell you how much that means to us. Whatever happens during the next phase, the judges’ voting stage, you made us feel special and we’re starting the week with the biggest smiles on our faces.
New regular Ashley Baxter joins me on this week’s packed Unfinished Business to talk about eating well and staying fit, my goal to lose 14lbs and why my competition with Paul Boag is spurring me on.
We also talk about how happy I am that Stuff and Nonsense has been shortlisted for Agency Of The Year at the Net Awards. Last, but not least, there’s Ashley’s Scottish slang word of the week. I’m also over the moon to learn that Unfinished Business has been shortlisted for Podcast Of The Year. When you listen to the show, you’ll hear I obviously wasn’t expecting that.
Jeremy posted links to all the videos from dConstruct 2013. I wasn’t there but I’ve listened to the audio before now. Even so, it’s good to see video of my favourite talk, ‘Don’t Feed The Trolls’ by Nicole Sullivan.
Smashing Magazine have published an (edited for print) transcript of the ‘A Modern Designer’s Canvas’ talk that I gave at both An Event Apart in Atlanta and Smashing Conference last week in Oxford.
After some welcome time away, I’ve spoken at several conferences recently, notably An Event Apart in Austin, Milton Keynes Geek Night in, err and last week’s Smashing Conference in Oxford. With those events still fresh in mind, I have a few minor moans about lecterns.
On this week’s Unfinished Business, Laura Kalbag and I talk about the business of speaking at conferences, why it’s essential to be paid to speak and the importance of contracts that cover the paying of expenses, who owns the content of a talk and what conferences can do with that content after the event.
Illustrator Josh Cleland is back for this, the sixtieth episode of Unfinished Business. We talk about Milton Keynes, losing my voice and what can go wrong if you suck too many Strepsils. (Spoiler: diarrhea.) We discuss how we’re both trying to achieve a better work/life balance and what’s been driving us to work all the time.
Mark Boulton on defining responsive web design:
We’ve heard this line time and time again over the past couple of years. You see, responsive design is a useful term and one that will stick around for a while whilst we’re going through this change. How else do we describe it, otherwise? Web design? I don’t think so. No board member is going to get behind that; it’s not new enough.
Last week I came back from a lovely, if too short, trip to the American South that included me giving a talk in Atlanta. It felt fabulous to be back on An Event Apart’s stage and I’m humbled by every invitation. I gave a new talk, ‘A Modern Designer’s Canvas’ about finding your medium, not becoming intoxicated by your tools or a process and following your own, not someone else’s path. I gave it without a supporting Keynote slide deck.
Despite possibly the worst Skype connection in history, I chatted with Ashley Baxter on Unfinished Business this week about her semi-professional photography business. We talked about the photo walk and workshop that she recently organised in her home city of Glasgow and why conference organisers should host more photography workshops at their events. Aye. And let’s not forget Oor Wullie!
The final Handheld conference in Cardiff last November was one of the best, and most memorable, that I’ve ever spoken at and attended. Standing on the largest stage in Europe in-front of 1200 people, pushing a dalek onto the stage with my friend Jon, the Welsh male voice choir, it was a wonderful day.
Jeffrey Zeldman on Evolving Responsive Web Design:
Some commenters want to use initial-capped Responsive Web Design to mean responsive design as Ethan first defined it, and lowercase responsive design to mean an amorphous matrix of exciting and evolving design thinking. Lyza says soon we’ll stop saying Responsive altogether, a conclusion Andy Clarke reached three years ago.
The first half of the final series of Mad Men is just over a month away and today AMC released a new poster, designed by none other than Milton Glaser.
I’m putting my stake in the ground. If and when Apple releases what all the pundits keep calling an ‘iWatch,’ the tagline on their invitation to the press event will read:
It’s about time.
Hello. I’m Andy Clarke, an internationally recognised product and website designer and writer on art direction for products the web. I help product and website owners captivate customers by delivering distinctive digital designs.
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