Toon Titles
Explore my growing collection of classic cartoon title cards, lovingly recreated using CSS, SVG, and SMIL animations. Enjoy the nostalgia and learn from the code on CodePen.
Explore my growing collection of classic cartoon title cards, lovingly recreated using CSS, SVG, and SMIL animations. Enjoy the nostalgia and learn from the code on CodePen.
Kingdom of the Planet of the Apes is out and I decided to update one of my responsive easter egg headers—Kerfuffle on the Planet of the Apes—with more efficient, modern code.
Originally published in 2005 and updated in 2024, CSS Specisithity explains how to master specificity using Star Wars metaphors. It’s been credited with helping web designers and developers understand what’s often considered a complex subject.
Clarify what’s expected on both sides to help build great relationships between you and your clients. Contract Killer is plain and simple and there’s no legal jargon. It’s customisable to suit your business and has been used on countless web projects since 2008.
I wanted a simple set of layout modules I could call on for design projects, so I developed my own. I call them Layout Love and rather than keep them to myself, I’m offering them to everyone to use which I hope will encourage people to make layouts which are more interesting.
I wrote my first book, Transcending CSS: The Fine Art of Web design, way back in 2006. It became a success and since then I’ve had countless people tell me it was influential in their careers. Transcending CSS Revisited is available to read online for free, with a new foreword by Rachel Andrew.
This week on ‘Net Awards Podcast Of The Year’ nominated Unfinished Business, Liz Elcoate, from some other podcast, joins me to talk about why it’s acceptable to admit when we’ve availability and to ask people for work. We talk more about having flexibility in our rates and why it’s reasonable to quote different rates to different people. We also touch on whether web designers should charge ‘rush rates’ and why working for free can be good for the soul.
Speaking of the Net Awards, did I mention that Unfinished Business has been nominated for Podcast Of The Year at the Net Awards? No? If you’ve liked what you’ve heard over the last 55 episodes, please vote for us. After-all, this is the only podcast where you hear about the things that are really important. Apes (obviously,) soap, weeing in kettles and of course Purple Rain.
Eclipsed by most of the nonsense going on at the Grammys—Honestly, people actually like Daft Punk?—were two good country music wins.
I’m not sure how I forgot to link to this last week, but our phone rang and I spoke to BBC technology reporter Dave Lee about Easter Eggs. Not the chocolate kind, but the much less tasty and much less interesting hidden delights in websites.
It’s once again that time of year when almost every web designer, developer, podcaster and bottle washer that you follow on Twitter is asking you to vote for them in the annual Net Awards. Well, if you can’t beat ’em, join ’em.
Last November I switched from a 13" MacBook Air to the equivalent MacBook Pro with a retina display. How does that feel?
Laura Kalbag is back on Unfinished Business this week to talk about how far in advance we book client projects and what we you do if a client wants more work done, but we’ve other work booked for the next few months? We discuss upping our day rates and how Laura’s client suggested she charge more.
No Unfinished Business would be complete without talk of pirates and smugglers and the Milton Keynes Geek Night All Dayer conference which took place last week.
It’s a really good, funny episode of this week. I’m joined again by Elliott Kember to talk about whether being acquired is just a poncy way of saying that you’re taking a job at a big company. We discuss Google buying a nest thermostatNest Labs for $3.2billion when they could’ve got one for a hundred quid at B&Q and why some people have reacted very negatively to the deal.
Best of all, we start and end this episode with a song that sounds absolutely nothing at all like Purple Rain. You don’t get singing like that on The Freelance Web or The Big Web Show, I can tell you.
Thanks to our sponsors this week, they were Espresso and Shopify. Please support our show by visiting them.
I won’t blame you if you didn’t read it, but a couple of Septembers ago I wrote something personal about my name, how it made me feel, why I changed it and then regretted it ever since. You can read it now if you like, but the general gist is that being called Andrew when I was young reminded me of something I was missing and that made me terribly sad. So I asked everyone to call me Andy instead, and they did that for the next thirty-five years.
This week on Unfinished Business, I’m in a relaxed mood as I’m joined by Josh Cleland to talk about how we filter enquires from potential clients through our websites and emails. We also try really, really hard not to talk about moviesfilms.
An interesting piece from lonelyplanet.com’s Ian Feather on their move from icon fonts to SVG.
I switched all our icons to SVG during our latest redesign (with PNG fallbacks for IE8) and they’ve proved incredibly reliable. That’s why I was slightly surprised to find Jon Hicks promoting icon fonts over SVG at the Handheld Conference back in November. Am I missing something, I wonder?
Never fear, web design generalists: many companies and organizations require your services and always will — from universities still seeking webmasters, to startups seeking seasoned folks with multiple areas of understanding to direct and coordinate the activities of younger specialists. But if jack-of-all web work is feeling stale, now may be the time to up your game as a graphic designer, or experience designer, or front end developer. “Diversify or die” is overstating things when the world needs generalists, too. But “follow the path you love” will always be good advice.
Talking with Dan on this week’s Unfinished Business got me thinking about photography and workshops and wanting to learn to make better photographs.
Two weeks before Christmas I took a train to Birmingham to meet a new client. After our meeting I wandered to the Bull Ring and went into the Dr. Martens shop there to buy a new pair of boots.
Rachel’s new book, ‘The Profitable Side Project Handbook’ is available today and has a launch day offer of only $29.00. That’s for three digital formats, .mobi, PDF and ePub.
(I bought a copy using our company credit card and the emails for that go to my wife, so I’ll have to wait until she comes home to start reading.)
For the first Unfinished Business of 2014 I’m joined by my really good friend Dan Davies to talk about film marathons, what we’d hoard for the apocalypse and Dan’s totally unrelated career change from front-end developer to UX designer.
Related to my This Englishman’s top five country music albums of 2013, Alex sent me a link to this, on YouTube, Grady Smith’s ‘Why Country Music Was Awful in 2013.’
For this, the fiftieth episode of Unfinished Business, I’m joined by regular guest Laura Kalbag. We talk about ethical statements and whether we, and the companies that people work for, should set out what they will and won’t work on our websites.
I would like to say an enormous thank-you to Anna Debenham for helping me get started with this podcast. To all our guests and sponsors for making the show possible and to you, our listeners for being lovely people. I’d like to wish you all a very happy Christmas holiday.
This year’s been a really good year for British web industry podcasts and I’ve loved making Unfinished Business. It’s become a great way for me to wind down from work on a Friday afternoon and has been my main outlet for the things I’ve had on my mind, largely replacing me writing on this blog.
Well it seemed like a good idea at the time. If you haven’t been keeping up with this week’s Christmas crossover podcasts, we’ve just wrapped up the week with yours truly and Sarah Parmenter guesting on Boagworld with Paul And Marcus.
We talked about what we all want for Christmas, whether we can switch off from work during the break, how we deal with clients who insist their site be live by some arbitrary point and what our web design new years resolutions are? (All made up questions, obviously.)
The Official Movie site for Dawn Of The Planet Of The Apes has launched and, chattering chimpanzees, is it a piece of work! As if I weren’t excited enough about the film. It’s not released until July 2014 but the site gives fans a taste of what’s happened since the end of Rise.
This time last year I didn’t feel much like sharing, so went without a run down of top country music albums of 2012. Looking back now, that was probably a wise choice as the musical year seemed epitomised by Lionel Ritchie, yes ‘that’ Lionel Ritchie’s truly, truly terrible Tuskegee. No link because, ‘Sail On!’
I know I’ve talked about Ghostlab a lot on Unfinished Business and mentioned it a fair few times on Twitter. This isn’t just because its makers Vanamco have sponsored the show. No, I use Ghostlab almost everyday and it’s really made my designing responsive websites much more convenient.
As Ghostlab is an app for the Mac, often when I tweet about it I see people complaining that it’s not available for Windows. Well quit your whining Windows users, because today Vanamco have launched Ghostlab for Windows!
Ghostlab for Windows has a new interface and is available in both 32 and 64 bit versions. There’s even a free seven day trial and a licence costs just $49 US.
Ghostlab for Windows may be just what you were ho, ho, hoping for.
We thought that getting together with friends to record a series of Christmas crossover podcast episodes might help us, and you, get in the mood for Christmas.
The wonderfully generous Sean Johnson joins me twice on Unfinished Business this week to first answer a listener’s question about competitive payment terms, then to talk about our downs and ups of 2013.
Hello. I’m Andy Clarke, an internationally recognised product and website designer and writer on art direction for products the web. I help product and website owners captivate customers by delivering distinctive digital designs.
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I’m available to work on new design projects.