What do a vintage Japanese robot, a cardboard castle, a Godzilla toy, and a handful of pencils have in common? They became the starting point for an interactive website that brings Moonwalk Audio’s imagination to life.
Designing a bilingual website for the Open University by making politics feel welcoming, approachable, and relevant to a new generation.
Lockrose wanted to reach new markets without losing the credibility they’d built in the energy sector. Here’s how I designed a website that helped them tell a bigger story.
How I helped a Swiss transport planning consultancy communicate specialist knowledge more clearly through editorial design, illustration, and thoughtful typography.
People invest in confidence before they invest in property. That simple idea shaped the decisions I made while designing Portico Investment’s website, from its illustrations and typography to its content and an interactive prototype.
I designed an information-rich website for The Shared Homeland Paradigm, using typography and graphics to clearly and visually explain complex political ideas. Here’s how I approached it.
The Academy of Scoring Arts just launched its new website. It’s a community of arrangers, composers, and musicians that helps industry professionals develop their craft through events and video tutorials.
I designed a website for composer Begoña Pereda using typography and animated SVG graphics to reflect her personality and musical style. Here’s how I approached it.
Business software websites don’t have to look boring. Here’s how I gave Mountain Duck a website with as much personality as the product itself.
People don’t buy products from companies they don’t trust. That might sound obvious, but it’s remarkable how many technical websites expect visitors to decode specifications, compare unfamiliar part numbers, and somehow arrive at the right decision on their own.
A composer’s website shouldn’t look like every other composer’s. Here’s how I designed a portfolio for Begoña Pereda that reflected the person behind the music.
Count Binface already had an unmistakable personality. My job wasn’t to invent it. It was to translate it into a website where every illustration, typeface, colour, and layout decision felt unmistakably Binface.
A composer’s website shouldn’t look like everyone else’s. Here’s how I designed a portfolio for Michael Baugh that reflects the person behind the music.
A composer’s website shouldn’t look like everyone else’s. Here’s how I designed a portfolio for Mike Worth that reflects the person behind the music.
Music creates atmosphere long before it tells a story. I wanted Ryan Knaggs’ website to create that same feeling through colour, typography, and layout.
Every designer draws inspiration from somewhere. Here’s how I transformed Tristan Jakob-Hoff’s love of mid-century graphic design into his distinctive website.
People don’t buy products from companies they don’t trust. That might sound obvious, but it’s remarkable how many technical websites expect visitors to decode specifications, compare unfamiliar part numbers, and somehow arrive at the right decision on their own.
People don’t buy products from companies they don’t trust. That might sound obvious, but it’s remarkable how many technical websites expect visitors to decode specifications, compare unfamiliar part numbers, and somehow arrive at the right decision on their own.
How I took a website built on Squarespace, worked within a one-week deadline, and turned it into something that reflected Count Binface’s personality instead of the platform’s default design.
For years now, I’ve kept sauce sachets in my car’s glove box—I mean, who actually keeps gloves in that compartment?—just in case I needed it for a burger or bag of chips. That’s why I was really pleased when The Cheeky Condiment Company got in touch asking me to design a website for their condiment-carrying charm bracelets and necklaces.
It was January, 2011 and an email arrived from a name I recognised. Would you be available for me to phone you to discuss a potential project? I’ve attached an NDA. Could you sign a printed copy, scan and send it back to me? John Jones Jones Olson
I’m Andy Clarke. I’ve spent over thirty years helping businesses, charities, and organisations create memorable websites. I’m also the author of books on web design.