Toon Titles
Explore my growing collection of classic cartoon title cards, lovingly recreated using CSS, SVG, and SMIL animations. Enjoy the nostalgia and learn from the code on CodePen.
Explore my growing collection of classic cartoon title cards, lovingly recreated using CSS, SVG, and SMIL animations. Enjoy the nostalgia and learn from the code on CodePen.
Kingdom of the Planet of the Apes is out and I decided to update one of my responsive easter egg headers—Kerfuffle on the Planet of the Apes—with more efficient, modern code.
Originally published in 2005 and updated in 2024, CSS Specisithity explains how to master specificity using Star Wars metaphors. It’s been credited with helping web designers and developers understand what’s often considered a complex subject.
Clarify what’s expected on both sides to help build great relationships between you and your clients. Contract Killer is plain and simple and there’s no legal jargon. It’s customisable to suit your business and has been used on countless web projects since 2008.
I wanted a simple set of layout modules I could call on for design projects, so I developed my own. I call them Layout Love and rather than keep them to myself, I’m offering them to everyone to use which I hope will encourage people to make layouts which are more interesting.
I wrote my first book, Transcending CSS: The Fine Art of Web design, way back in 2006. It became a success and since then I’ve had countless people tell me it was influential in their careers. Transcending CSS Revisited is available to read online for free, with a new foreword by Rachel Andrew.
This week on episode 115 of Unfinished Business, I’m joined by returning guests Brad Frost and Stephen Hay. After talking about the best coffee mug in the world, we get right down it and discuss why it’s dangerous to bring computer science principles and heavy development tools into web design.
A week later than planned (sorry,) on this week’s Unfinished Business, I’m joined by returning special guest, designer Dan Edwards. And because you wait all day and then two Dans come along at once, joining us is creative director, founder and director of the SuperFriendly agency in Philadelphia, Daniel (the Dan) Mall. We talk about plans for the next Geek Mental Help week in October first. Then, because I’m currently deep into a redesign of Stuff & Nonsense, why working on your own site always feel harder than working on a client sites. We discuss using our portfolios to attract the ‘right’ type of projects and if case studies are the best way to demonstrate what we do.
I’ve been looking forward to speaking with Cennydd Bowles for months and for Unfinished Business 113, Cennydd joins me and my other special guest, product designer Noah Stokes. We kick off by talking about Richard Rutter’s web typography book, but soon the conversation switches to whether, and why, current web designs are lacking ‘soul.’ This is something Noah and I have been speaking and writing over recent months and something that I partly blame on our fixation with user-experience and product design. Does Cennydd agree? You‘ll have to listen to the show to find out.
I want Unfinished Business to be, above all, entertaining and it makes me incredibly happy when entertainers take time to talk to me. This week, and after literally months of trying to set this up, my very special guest on Unfinished Business episode 112 is, actor, comedian, star of Vic and Bob’s ‘House Of Fools,’ Ellie White.
Apologies in advance if you’re German or a Turk, as this week on episode 111 of Unfinished Business, I’m joined by artist Brendan Dawes and designer Aaron Draplin.
We start by talking about spice jars and car boot (garage) sales, but unsurprisingly our conversation soon veers wildly off topic as we discuss how Aaron’s struggling to keep up with demands on his time, how designers can make money selling merchandise and more, much, much more. If you know either Aaron or Brendan, you’ll also know that you’re in for a fast-paced, fun-filled sixty minutes.
This week at Smashing Conference in New York, I had the very great pleasure of meeting Chris Lilley. I recognised Chris’ name, but it took me a day to remember that he had been the chairman of the ‘Style and Formatting Properties Working Group’ at the W3C, a precursor to the CSS Working Group. Chris is a hugely important person in the history of the web.
When we were in Australia earlier this year, we stopped in Sydney to speak at John Allsopp’s Respond Conference and to teach a workshop. A few weeks before those events, John emailed me:
The folks at SydCSS are fantastic supporters of our events, and last year we did a couple of shared events with them. I’ve dobbed you and I to do a short presentation (it will be the night of Respond.)
Last week was Jeffrey Zeldman’s website’s 20th birthday, so this week he joins me and Jeremy Keith on Unfinished Business 110 to talk about the anniversary. We start by discussing Jeremy’s 100 words for 100 days writing project and how it’s inspired me to change the way that I think about writing on our blog and posting to our portfolio. We talk about the importance of writing for yourself as well as for others and why writing on your own website is important. With it being the twentieth anniversary of Jeffrey’s own site, we also talk about whether it’s important to archive older designs for posterity.
Oh, and please don’t skip this week’s after show segment as boy-oh-boy (girl-oh-girl, man-oh-man, woman-oh-woman) do the sparks fly! We discuss Mad Men, Mad Max and whether advertising can ever be considered as important as a book or a film and, let’s just say, things get very heated.
I’ve always enjoyed attending the Shropgeek (R)Evolution events in the past and been slightly jealous of the people that Kirsty’s asked to speak. This year, I couldn’t be happier that she’s asked me to do the final talk of the final (R)Evolution conference on September 25th in beautiful Shrewsbury.
This week is a special Mad Men episode of Unfinished Business and I’m joined live from New York by Jen Simmons–the incredible host of The Web Ahead podcast–and our very special guest, the actor and comedian who plays Lou Avery on TV’s Mad Men, Allan Havey.
If you’re not sick of the sight of me in video by now, WP Elevation’s Troy Dean has published a short interview that we recorded on my visit to Melbourne in March.
Last week, Creative Bloq published Noah Stokes’ article on “Why web design is losing its soul.” It’s a good read on exactly the same subject that I’ve been talking about since I spoke at Beyond Tellerrand in Berlin last year.
I imagine if I told people in advance that I was talking to director of UX at MailChimp Aarron Walter and Founder of User Interface Engineering Jared Spool on Unfinished Business this week, they’d imagine we’d talk about user experience design and possibly education. Instead, they and I talk about action figures and Action Man and whether fighting Nazis is cooler than fighting aliens.
Fresh from our adventures at Smashing Conference in Santa Monica, on this week’s Unfinished Business I’m joined by user-experience professional, author (of some CSS book or another) and director at ClearLeft, Andy Budd. Joining us was one of my favourite people; designer, author and founder of Authentic Jobs, Cameron Moll.
On this week’s Unfinished Business, I’m joined by designers’ designer Dan Edwards and, one of my favourite people, designer Veerle Pieters. We start by talking about magazines, including 8faces and the new edition of Lagom.
I know very few people who curate better conference line-ups than Marc Thiele and I was proud to speak at his first event in Berlin last year. It’s great that he’s written up how he thinks about conference schedules so that hopefully others can learn from him.
It’s amazing to think that John Allsopp’s oft-quoted article, A Dao of Web Design was published fifteen years ago today. A List Apart asked me what John’s article means to me now, but rather than focus on Dao’s flexible design principles, I wanted to talk about a passage that never seems to get a mention.
I’ve been enjoying—and a little jealous of how he can write every day— Jeremy Keith’s 100 words series. Today he wrote about A List Apart’s 15 Years of Dao and I could not agree more with what he said here:
I fear that today we run the risk of treating web development no different to other kinds of software development, ignoring the strengths of the web that John highlighted for us. Flexibility, ubiquity, and uncertainty: don’t fight them as bugs; embrace them as features.
Substitute ‘software development’ with ‘digital product design’ and you have what Dan and Jeffrey were talking about on Unfinished Business this week.
Also, as I said in 2006 at John’s Web Directions conference, “the web is not a power drill.”
I‘ve been looking forward to publishing this episode of Unfinished Business for over a month and I looked forward to recording it for even longer, because I got to talk about art direction and creativity on the web with two of the creative people that I respect most, Dan Mall and Jeffrey Zeldman.
The best podcasts listen to interesting people having interesting conversations about work, and life and for episode 104 of Unfinished Business I’m joined by two fascinating folk. Trent Walton and Stephen Hay.
Back for episode 103 of Unfinished Business is my favourite comedy duo, ‘Pipe and Pyjamas,’ Paul Boag and Jon Hicks.
A little later than advertised (and by “a little” I actually mean a week) I’m joined on Unfinished Business. Episode 102 by Rachel Andrew and Zoe Mickley Gillenwater.
We’re back. Back in business. Unfinished Business. Episode 101. For this, the first episode of 2015, I’m joined by two of the best well-known writers about how to implement CSS on a large scale Harry Roberts and Jonathan Snook.
If you’re a fan of my Unfinished Business podcast, you’ve only a few more weeks to wait until the next episode. It will be back (with episode 101) on the ninth of February and when it does, things will be a little different.
Hello. I’m Andy Clarke, an internationally recognised product and website designer and writer on art direction for products the web. I help product and website owners captivate customers by delivering distinctive digital designs.
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