Posts about Design

After two weeks on the CannyBill redesign project (one of which I spent traveling to Chicago for An Event Apart), it time for deep breaths as I talk about my design of the home page for the new CannyBill front of house site and ask for your thoughts and suggestions.

I have to confess that when I’m designing, I often don’t take too much notice of a company’s peers or competitors.

While open to the public redesign projects have lately been popularised by Mark Boulton Design‘s work for Drupal and by Happy Cog‘s work for Mozilla, it’s rare to find a commercial company involved in an open project.

It’s here — months in the planning and weeks in the making — the new Stuff and Nonsense. The new design is a continuation of my efforts to blend professional and personal styles into a brand that is as much about my personality and interests as it is about our work.

With all the buzz around @font-face delivery services such as Typekit, one question remains to be properly answered. How can web designers show concept work to their clients when the fonts they want to use are hosted (and protected)?

I’ve been slowly evolving the design of For A Beautiful Web over the last few months since I relaunched it in April. Back then I stripped it back from its almost universally unpopular first design, then added hints of a future direction on the home page. Now that design has matured and today I launched its sister site at Transcending CSS.

It’s been one helluva busy, tiring but inspiring week, traveling first to speak at An Event Apart Boston, then, with Jeremy Keith and Jason Santa Maria onto London for @media2009. At both events, I presented Walls Come Tumbling Down. Here are the presentation slides and transcript.

It’s been ten days since I uploaded the last batch of New Internationalist design files. Since then the team at New Internationalist have had time to live with the templates and make a small number of suggestions and requests that I have implemented over the last couple of days.

While the folks at New Riders work hard on editing the three DVDs that I recorded in February, and I make trouble by asking for tiny changes, I turned my attention to designing the cover artwork.

Last Monday, I met up with the New Internationalist team to talk about what we had accomplished so far in the redesign and the remaining issues. As he was in the area, we were also joined by my friend and design meeting interloper Dan Rubin.

Now is the time, particularly during this open design process, where I get nervous about presenting the design I hope to launch. While I know that there are still aspects left to resolve, I wanted to share my process and thinking behind what I’m showing today.

For the last few days I’ve been working on the branding aspects of my New Internationalist redesign and I have to admit that I’m struggling. There is a raging argument going on in my head. Please help me make it stop.

As I’m putting together Walls Come Tumbling Down, the talk that I am giving this year at @media 2009 London and An Event Apart, I wanted to share some of my notes on how the current recession will affect the way that web designers and developers work.

It’s possible that this should be an elsewhere entry, but as so many people have emailed, tweeted and otherwise asked about the placeholder images that I’m using in my New Internationalist redesign process, I thought I’d share the source.

Thanks to all of the excellent and constructive feedback so far, I am today working towards the New Internationalist pages that I am designing being feature complete and ready for sign-off next week. With that in mind, I wanted to share with you a top-down view of all of the pages that I have been working on.

Today I want to share and invite your feedback on my work on the New Internationalist blog pages.

Today I want to share and invite your feedback on my work on the New Internationalist magazine pages.

I hope that New Internationalist readers will never see 404 Page Not Found.

Most often when I’m designing a new site, I focus first on its content pages. Then, working from the inside-out, I finally arrive at the home page. This is the approach that I’ve taken in my work for New Internationalist. That said, a site’s home page is often what people want to see first, so who am I to disagree? Today I want to share and invite your feedback on my work on the New Internationalist home page.

When I was asked by New Internationalist to design for their online magazine, blogs and shops, the challenge seemed pretty daunting. The New Internationalist site has content that reaches back over thirty years, more page templates than you can shake a riot policeman’s truncheon at and a structure that involves some complex interaction design challenges. I also have limited time, budget and resources available.

As part of the New Internationalist redesign project, I’m focussing on how the organization presents itself online. To begin that process, I’ve been researching the printed magazine since it started in 1973. (I should stress that I’m not working on the organization’s overall branding, nor the design of the magazine.)

A few weeks ago I received an email from New Internationalist magazine asking me if I’d like to work on the redesign of their online magazine, blogs and shop. I was away from my studio when the email arrived so I pecked out a quick reply on my iPhone. I think it went something like New Internationalist? Oh fuck yes!

It’s always a pleasure to have the opportunity to build on work that I have done in the past, so a few weeks ago I jumped at the chance to work on a small visual design realign for my friend Richard Rubin of Really Worried fame.

This week Brian Suda and I launched tweetCC, a Twitter micro-app that allows Twitter users to declare a Creative Commons license for their tweeted content. I’ll be writing more about why we decided to make tweetCC and why licensing you tweets is important in a future entry, but as several people have commented on my design and CSS implementation, first a few words about them.