Posts about Design

Yours truly over at the Envato blog: “What do you see when you look at a movie poster? Is it simply advertising to promote a movie or a piece of artwork you’d potentially hang on your wall at home or in an office?”

Yours truly over at the Envato blog: “When I was growing up in the 1980s in a steel-making town that had lost its steelworks, there was a thriving subculture of fanzines and fly posters printed in garages and community centers.”

In my latest Design Chatter video, I talked about how the homelessness charity Crisis aims to be bold and impactful and asked if their website design lives up to those goals? Here’s a written version of that, plus the full versions of my redesigns.

In my latest Design Chatter video, I talked about how the RSPCA rebranded and asked if its website makes the best use of its new look. Here’s a written version of that, plus the full versions of my redesigns.

The 2024 General Election is just days away, and opinion polls suggest Labour will win with a majority bigger than 1997. Even though I’m not as excited about Labour’s vision as I was then, I still keep my fingers tightly crossed. As I found a few weeks ago, there’s barely anything left of Labour’s labourwin97.org.uk campaign website from its victory in 1997 under Tony Blair. It wasn’t archived by the Wayback Machine, so I imagined what it might’ve looked like.

During the General Election campaign, I’ve been studying political party websites, looking at their user experience and visual designs, and imagining what I’d make if they asked me to work on their designs.

There are less than two weeks before election day, and most of the headlines have come about from things the party leaders have said on the various TV debates. Out of nowhere, Prime Minister Rish! told young people he might take away their driving licences if they refused his national service. Keir Starmer was pushed on his supporting Jeremy Corbyn but not Arsenal, which is an even bigger character flaw. Ed Davey said, well, actually, I can’t remember anything Ed Davey said. But the person I’ve been most impressed with is Carla Denyer, the teeny-tiny confident co-leader of the Green Party.

“All water company bosses to take a dip in British rivers to see how they like it.” “National service to be introduced for all former prime ministers.” “European countries to be invited to join the UK, creating a new ‘Union of Europe.’” Who would disagree with policies like these?

Since, I suppose, the late nineties, every time a General Election comes around, the political parties roll out new websites. Having spent time studying Labour’s 2024 campaign website, I wondered what their previous election websites looked like.

Labour has launched its 2024 General Election manifesto. With a campaign slogan that shouts “Change,” I’d expected they’d replace their lacklustre pre-manifesto website design with something which reflects that message. Today, they released a dramatically different design, which inspires and motivates people to vote for their plans. Just kidding.

The Conservatives launched their 2024 General Election manifesto. Its contents won’t come as any surprise to anyone who’s been following politics recently. Having no new ideas doesn’t mean their designers haven’t attempted to introduce a few of their own on the latest version of their website.

So far, Rishi’s announced the general election to the soundtrack of Things Can Only Get BWetter, spoke to reporters outside the Titanic exhibition (spoiler: It sank,) was photographed under an Exit sign, and accidentally grew big ears after announcing a crackdown on Mickey Mouse university degrees. Yes, it’s all going very well. But, even with all these mishaps, Labour can’t take victory for granted. Sadly, their website design sucks. So, I imagined what I’d make if Labour came calling.

In this week’s General Election campaigning, Reform’s Nigel Farage announced he’s standing for a seat in Clacton after promising everyone he wouldn’t stand as a candidate. Farage popped up on BBC Question Time, which, in fairness, promised they’d invite politicians from other parties. Speaking of novelty candidates, I hope the BBC will stand by their promise and invite someone with real common sense policies like Count Binface. The Count has obviously been too busy conquering the galaxy to get his website ready for the election, so I imagined what I’d make if Count Binface came calling.

Finally, the UK general election campaigns are underway, and the parties are pushing their messages to voters. With the Conservatives desperate to cling to power, Labour anxious to seize it, the Liberal Democrats hoping for more MPs, and Reform looking to claim the far-right vote from the Tories, how do I think their website designs are fairing?

Kingdom of the Planet of the Apes is out, and I’m so excited that I decided to celebrate by updating another of my responsive easter egg headers—Kerfuffle on the Planet of the Apes—with more efficient, modern code. I’ll explain how I did it, starting with the new optimised SVG images.

For years now, I’ve kept sauce sachets in my car’s glove box—I mean, who actually keeps gloves in that compartment?—just in case I needed it for a burger or bag of chips. That’s why I was really pleased when The Cheeky Condiment Company got in touch asking me to design a website for their condiment-carrying charm bracelets and necklaces.

This week I’ve been diving deeply into how I approach projects, using a recent design for Zombie Hunt as an example. Yesterday, I wrote about catering for small screens. Today’s all about performance and accessibility considerations when coding my designs.

This week I’m diving deep into how I approach projects, using a recent design for Zombie Hunt as an example. Yesterday, I wrote about designing a layout grid. Today is all about catering for small screens.

This week I’m taking a deep dive into how I approach projects, using a recent design for Zombie Hunt as an example. Yesterday, I wrote about designing dark and light themes.. Today is all about the choices I make when designing a layout grid.

This week I’m diving deep into how I approach projects, using a recent design for Zombie Hunt as an example. Yesterday, I wrote about making decisions about colour. Today is all about using colour across dark and light themes.

Two weeks ago, I took a week—away from work on Nozomi Networks—and spent some time working on a redesign for Zombie Hunt. The team are franchising their successful business and needed a new design to attract customers and potential franchisees.

I’m starting my fourth full year working mainly with Nozomi Networks. I love the people there, the work we’re doing is fascinating, and I enjoy the ability to develop designs over a longer period of time. But, I will have some time available for other projects and I want to use that time to make a difference.

Over the past month, I’ve been upgrading my Apple TV movie artwork from portrait to 16:9. Like the artwork for many older film series, Apple’s artwork for George A. Romero’s series of zombie films is more walking on sunshine than walking dead. So—like I did for other series in my collection—I decided to make my own artwork.

I’ve been upgrading my Apple TV movie artwork from portrait to the latest 16:9 format recently. Like the artwork for many older film series, Apple’s artwork for the Star Trek films is less photon torpedo and more phaser set to stun. So, I decided to make my own artwork.