Posts about Design

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. This is week seventeen and my design this week was again inspired by Bradbury Thompson.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. This is week sixteen and my design this week was inspired by Italian graphic designer Giovanni Pintori.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. This is week fifteen and my design this week was again inspired by Herb Lubalin.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. This is week fourteen and my design this week was again inspired by Max Huber.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. This is week thirteen and my design this week was inspired by art director and graphic designer David Carson.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. This is week twelve and my design this week was inspired by Swiss born graphic designer Armin Hoffman who is now 99 years old.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. My design this week was again inspired by Max Huber. Huber taught graphic design in the Swiss town of Lugano, which coincidentally is where I stay when I go to work in Switzerland. He died in Mendrisio—where my Swiss office is—in 1992.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. This is week ten and my design this week was inspired by Czechoslovakian born graphic designer and typographer Ladislav Sutnar.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. My design this week was again inspired by graphic designer and typographer Herb Lubalin.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. My design this week was inspired by American modernist graphic designer, Lester Beall.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. My design this week was inspired by Max Huber. Huber taught graphic design in the Swiss town of Lugano, which coincidentally is where I stay when I go to work in Switzerland. He died in Mendrisio—where my Swiss office is—in 1992.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. My design this week was inspired by Alvin Lustig. Lustig’s work as a book, graphic, and typeface designer has been influential long after his death in 1955.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. My design this week was inspired by Bradbury Thompson. Although less well-known than many of his contemporaries, Bradbury Thompson has been called “one of the giants of 20th-century graphic design.”

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. My design this week was inspired by Alexey Brodovitch. You can read more about him and his work in my article for Smashing Magazine.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. My design this week was inspired by “the pioneering female art director you’ve never heard of,” Bea Feitler.

Throughout 2020, I’ve committed to designing 52 designs for a series of Inspired Design Decisions. My design this week was inspired by graphic designer and typographer Herb Lubalin.

For the past six months, I’ve been designing, writing, and presenting a series of Inspired Design Decisions articles and webinars for Smashing Magazine. These have been brilliantly well received and I wanted a regular project to experiment with new designs.

With modern CSS properties including Grid, Flexbox, Multi-column, and Shapes, designers have countless opportunities to make diverse, and engaging designs. Sadly, many of us haven’t had the memo which gives us permission to make more interesting work, so I decided to write that memo. Feel free to modify the message for your company or organisation and of course, circulate it to the designers on your team.

If, on the off chance:

• You’re reading this entry using Safari Technology Preview 68, and
• You’ve already upgraded your MacOS to Mojave 10.14, and
• You’ve selected Dark appearance in System Preferences

You’ll have noticed that I’ve implemented a brand new dark mode version of my website.

For the past few weeks, I’ve been working with Equfund, refreshing their visual identity, redesigning their website, and developing a consistent brand experience for customers across different channels and touch-points.

One of my earliest blog entries, all the way back in May 2004, was about a favourite technique for creating colour palettes. It was a technique which I’d used for years, even then. Now I have a new take on creating colour palettes, it’s time to revisit that topic.

Looking back, I’ve redesigned this website roughly every three years. Today I’m proud to show you the new Stuff & Nonsense.

Back in January I wrote about why I believe that style guides and component/pattern libraries should be beautiful as well as functional. That to be effective, they must cater for the different needs of creative and technical people by inspiring as well as informing.